Tuesday Tunes: A Playlist for Theodoros Stamos

Theodoros Stamos, The Sacrifice of Kronos, No. 2, 1948, Oil on hardboard, 48 x 36 in. The Phillips Collection, Washington, DC, Acquired 1949 © Estate of Theodoros Stamos, New York

Taking inspiration from the major theme of music in Ten Americans: After Paul Klee, we paired 11 staff members with 11 works from the exhibition and asked them to respond to create a playlist in response to their individual artwork. Remy Kauffmann, Stewardship Manager for Corporate Relations and Partnerships, created this playlist in response to Theodoros Stamos’s “The Sacrifice of Kronos.”

When I looked at this artwork, I immediately saw the Earth and a person below it, seemingly crushed by the weight of the world, and I wanted my playlist to reflect that sense of helplessness. It definitely isn’t the most uplifting, but with everything going on in the world today and how divided it seems to be on most issues, I felt that this painting perfectly depicts how overwhelming life can be sometimes. The last two songs are more hopeful, because I always want to believe there is a light at the end of the tunnel, even if we can’t always see it at the time.

Remy Kauffmann, Stewardship Manager, Corporate Relations and Partnerships

Feeling inspired? Create your own playlist based around works in the exhibition and send it to us at communications@phillipscollection.org and we may feature it on our blog and social media.

Tuesday Tunes: A Playlist for Robert Motherwell

Taking inspiration from the major theme of music in Ten Americans: After Paul Klee, we paired 11 staff members with 11 works from the exhibition and asked them to respond to create a playlist in response to their individual artwork. Zuzana Jurisova, Education Coordinator, created this playlist in response to Robert Motherwell’s “Figure in Black (Girl with Stripes).”

Robert Motherwell, Figure in Black (Girl with Stripes), 1947, Oil on paper on fiberboard, 24 x 19 7/8 in. Smithsonian American Art Museum, Washington DC, Gift of the Dedalus Foundation and museum purchase © Dedalus Foundation, Inc./Licensed by VAGA, New York, NY

When I looked at Figure in Black (Girl with Stripes) by Robert Motherwell, I immediately thought of a traveler, an adventurer that is undertaking a voyage to an undiscovered land. I was struck by the fact that the figure in the painting is a girl and shown seemingly alone in the work, but unafraid. The songs I have chosen reflect a journey (both physically and within one’s self) from dissatisfaction (Running Up That Hill, Sprawl II) and the thrill of embarking on an adventure (Verdis Quo, Walking on a Dream). I finished the playlist with Yellow by Coldplay as Motherwell was heavily influenced by the ocher color of his childhood in California and the song also feels like a homecoming of sorts.

Zuzana Jurisova, Education Coordinator

Feeling inspired? Create your own playlist based around works in the exhibition and send it to us at communications@phillipscollection.org and we may feature it on our blog and social media.

Tuesday Tunes: A Playlist for Kenneth Noland

Taking inspiration from the major theme of music in Ten Americans: After Paul Klee, we paired 11 staff members with 11 works from the exhibition and asked them to respond to create a playlist in response to their individual artwork. Mika Rautiainen, IT Support Specialist, created this playlist in response to Kenneth Noland’s “In the Garden.”

Kenneth Noland, In the Garden, 1952. Oil on hardboard, 19 1/2 x 30 in. The Phillips Collection, Washington, DC, Acquired 1952 © Estate of Kenneth Noland/Licensed by VAGA, New York, NY

My playlist for Kenneth Noland’s In the Garden is fairly short—it’s the EP to the everyone else’s LP, so to speak. I went with my gut, and while some of the songs have more clear word association with the painting, I didn’t particularly look for one, nor did I look for songs of the painting’s time period.

The first three songs came to me immediately—they are what I imagine to be playing inside the painting, eerie yet fairly mellow. The last two songs popped into my mind the second time I looked at it in detail. Why grunge? I don’t know, I’m not really even that big of a fan. I suppose it’s something about the painting’s color and shapes that just scream early ’90s to me.

Mika Rautiainen, IT Support Specialist

Feeling inspired? Create your own playlist based around works in the exhibition and send it to us at communications@phillipscollection.org and we may feature it on our blog and social media.