This watercolor by Maurice Prendergast captures the colors and bustle of a summer day at Revere Beach, just five miles north of Boston. Its hard sand shore forms a great crescent for four miles along the blue ocean, sloping away gradually out to sea and creating an ideal bathing beach. The Nahant and Winthrop peninsulas frame the horizon at Revere Beach, which faces Massachusetts Bay. An ad in a 1912 booklet advertising Revere Beach described unsurpassed scenic panoramas viewed from the beach by day or night. From the time it opened to the public in 1896, Revere Beach entertained visitors from all over the world each year from Easter until Labor Day. In the early years they walked, bicycled, or took horse-drawn carriages. It was the place to go to be entertained, have fun or just relax and enjoy a day at the beach.
In this video, see the selection and installation process behind Jean Meisel‘s 50–65 Horizon Line, her Intersections contemporary art project on view at the Phillips through May 4.
Installation of Washington-based artist Jean Meisel’s 50–65 Horizon Line is nearly complete in an intimate gallery on the second floor of the house. Meisel began creating these tiny paintings, none measuring more than six inches, during the 1970s and hasn’t stopped since. While the works might evoke memories of landscapes and seascapes encountered by viewers, these endearing scenes are in fact all created from the artist’s imagination.
Meisel will discuss her work in an Artist’s Perspective at 6:30 pm on Thursday, January 30.