A Green Hat, Once in a Blue Moon

Pablo Picasso, Woman with Green Hat, 1939. Oil on canvas, 25 5/8 x 19 3/4 in. The Phillips Collection, Washington, D.C. Gift of the Carey Walker Foundation, 1994.

Pablo Picasso, Woman with Green Hat, 1939. Oil on canvas, 25 5/8 x 19 3/4 in. The Phillips Collection, Washington, D.C. Gift of the Carey Walker Foundation, 1994.

It’s not always possible to accede to every visitor’s desires . . . but when we heard (almost on the way out the door for the holiday) that San Francisco visitors Lauren and Ken wanted desperately to see Picasso’s 1939 Woman with a Green Hat, we found a way to make that happen. The painting was not on view in the galleries at the moment, but thanks to some quick thinking and rare, serendipitous good luck, we were able to arrange a quick behind-the-scenes tour. The painting means a lot to Ken. He explained that it totally changed his understanding of Picasso and of modern art generally. He likes the tension between the distortions of the woman’s face and the tenderness in its depiction. Lauren and Ken seem to love the Phillips and have visited dozens of times over decades. We hope they’ll come back many times in the future.

Dorothy Kosinski, Director

Good Morning, Washington!

Photo of Phillips staff filming for Good Morning Washington

Director Dorothy Kosinski leads Phillips staff in a morning salute to Washington, cheered on by ABC7/WJLA-TV community relations director Abby Fenton. Photo: Sarah Osborne Bender

On Tuesday, my day began alongside dozens of our staff, beaming and dressed in their summer best, and Antony Gormley‘s personable Aperture XIII  (2010) in a shoot for ABC7, WJLA-TV‘s “Good Morning Washington” program. Watch for our greeting starting next week, mornings between 4:30 and 7:30 am!

Farewell to Our Friend, Caroline Macomber

It is as though I can hear Caroline Macomber’s inimitable greeting: “Hello there!” Her dear friend, Louisa Duemling, captured Caroline’s voice, her strength, her elegance, and intelligence so accurately—pitch perfect—at the funeral on February 1.  Caroline’s sudden death is a terrible blow felt deeply by her fellow trustees and the Phillips staff that came to know and admire her profoundly over years. She continues to inspire us to move beyond sadness to work with passion and vigor for this institution she so well loved.

Dorothy Kosinski, Director

Caroline Macomber and I deep in conversation about a David Smith sculpture together at last year's Art & Innovation Summit. Photo: James R. Brantley