In the early 20th century, William Merritt Chase returned with renewed vigor to still life painting, a genre he had pursued since the beginning of his career. Most but not all of these works were given over to fish, due at once to their popularity with collectors and museums and Chase’s great pleasure in their making.
This is one of William Merritt Chase’s defining early masterworks that showcases his burgeoning talent as a still life painter and portraitist. Dora Wheeler was one of the artist’s first private students. Chase painted this portrait just as Wheeler returned from her training at the Academie Julian in Paris to establish a career in New York.
The Young Orphan is one of William Merritt Chase’s boldest early compositions, exemplifying his experimentation with an abstract, expressive language of color and form. Chase likely found his model for the picture from the Protestant Half Orphan Asylum, located next door to his Tenth Street studio at 61 West 10th Street.