Separated at Birth?

picstitch

Left: A detail of El Greco’s Laocoon, on view at the National Gallery of Art.
Right: El Greco’s The Repentant St. Peter, currently on view at the Phillips.

Phillips educators saw a familiar face during a field trip to the National Gallery of Art on Monday. Check out the uncanny resemblance between the title figure in the ¬†Gallery’s Laoco√∂n (c. 1610/1614) and the Phillips’s The Repentant St. Peter (between 1600 and 1614), both by El Greco.

It was a very timely happenstance considering the Intersections project A Conjunction of Verb opening tomorrow at the Phillips, in which Baltimore-based artist Bernhard Hildebrandt reinterprets El Greco’s work in photography and video.

Are there more St. Peter lookalikes out there?

Natalie Mann, School, Outreach, and Family Programs Coordinator

Birthday Candles for Henri Rousseau

French artist Henri Rousseau was born on this day in 1844. His still life The Pink Candle (1908), acquired by Duncan Phillips in 1930 along with Notre Dame (1909), is currently on view upstairs in the original Phillips house as part of Jeanne Silverthorne’s Vanitas! project for the Intersections series. The little painting hangs to the right of a doorway framing Silverthorne’s tour de force in silicone rubber–DNA Candelabra (showing the beginning genetic sequence for depression, anxiety, addiction, anger, and panic) on rubber crate (2007).

Henri Rousseau, The Pink Candle, 1908. Oil on canvas, 6 3/8 x 8 3/4 in. The Phillips Collection, Washington, D.C. Acquired 1930.

Henri Rousseau, The Pink Candle, 1908. Oil on canvas, 6 3/8 x 8 3/4 in. The Phillips Collection, Washington, D.C. Acquired 1930.

Installation view of Rousseau's The Pink Candle in conversation with Jeanne Silverthorne's work in Vanitas! on view through June 2 as part of the Intersections series. Photo: Lee Stalsworth

Installation view of Rousseau’s The Pink Candle in conversation with Jeanne Silverthorne’s work in Vanitas! on view through June 2 as part of the Intersections series. Photo: Lee Stalsworth

Exhibition at the Phillips Collection, Washington DC

Installation view of Jeanne Silverthorne’s DNA Candelabra (showing the beginning genetic sequence for depression, anxiety, addiction, anger, and panic) on rubber crate, 2007. Platinum, silicone rubber, and phosphorescent pigment, Overall 64 x 60 x 47 in. Courtesy artist and McKee Gallery, New York. Photo: Lee Stalsworth

Spring Crept into Our Galleries: Jeanne Silverthorne’s Vanitas!