David Burliuk’s Farm at Bear Mountain (1925) is vigorously expressionistic, using color to convey Burliuk’s intense personal feelings about the landscape. Painted with rhythmic strokes, wiry lines, and strong colors, it is an ode to nature in late summer. Its predominantly saturated verdant palette is evocative of a lush summer with plenty of sun and rain. While warm highlights on the foliage and rooftops of farm buildings capture the effects of the sun, deeper greens and blues, found in the denser areas of trees, suggest the fresh, cool air of the shade. Burliuk further increases the dynamism of the painting by using a vertical format, thus denying the viewer a panoramic vista, creating a tension with the inherit nature of landscape painting.
Today is the big opening for our exhibition in Daejeon, Korea, Conversations: Impressionist and Modern Master Works from The Phillips Collection. Two years in the making, this show furthers our relationship with notable museums in Asia and the citizens of those countries who have seen our works in loan and traveling exhibitions in the past. This unusually large team—chief registrar and director of special initiatives Joe Holbach, associate registrar for exhibitions Trish Waters, installations manager Bill Koberg, assistant curator Renée Maurer, and associate curator for research Sue Frank—is representative of the size and complexity of this installation. Joe reports, “Highly energetic opening tonight.” (Which technically was yesterday for them.)
During summer 1913, John Marin spent the summer along the Black River in Castorland, New York, near the Adirondacks, painting the local landscape of the river valley and surrounding mountains including Black River Valley. His paintings during that summer were full of bright, luminous color, which Marin exaggerated with watercolor paint. Marin typically dated his paintings only by year, not by month or season, but his Castorland paintings are recognizable by a blue, green, and pale yellow summery palette. He used his penchant for transparent color, loose and fluid technique, admiration for cubism, and mastery of watercolor paint to create a beautifully abstracted image of the rolling hills and deep river valley, conveying the warmth of a summer day.
This work is currently on view in Made in the U.S.A.