“…the very essence of feathers…”

http://www.phillipscollection.org/collection/browse-the-collection?id=1096

Walt Kuhn, Plumes, 1931, Oil on canvas 40 x 30 in.; 101.6 x 76.2 cm.. Acquired 1932. The Phillips Collection, Washington DC.

Let’s let Duncan Phillips tell us about this painting:

“The girl under the Plumes, is thoroughly disillusioned and tired of it all. She seems to sag under her magnificent headdress and wonder perhaps why she ever left home. That headdress nonetheless is a magnificent passage of painting. The feathers are the very essence of feathers and, as texture, they are the apotheosis of pigment.”

That passage is from Phillips’s 1932 catalog to accompany an exhibition at the museum, Kuhn’s first solo show in Washington. Phillips purchased six Kuhn paintings between 1924 and 1943.

This work is on view in the Made in the USA exhibition through August 31, 2014.

 

April uCurate Winner: Primary Color

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Primary Color, uCurate submission by Heidi

Congratulations to Heidi, winner of April’s uCurate prize! Her virtual exhibition Primary Color impressed us with its thoughtful explanation and accessible pairings. Of the exhibition, Heidi says:

Primary Color is an exploration of combinations of reds, greens, blues, and yellows. Sometimes all the colors appear within a single work of art. Other works use only one. This exhibition gives the viewer a chance to see how and whether degrees of abstraction affects our experience of bold and basic color.”

We’re giving a Made in the USA catalogue to one uCurate submission each month through August. Head to the exhibition or our website to see what others have come up with, and start curating!

American Craft: Spotlight on Billykirk

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(Left) Photo: Rhiannon Newman (Right) Photo: Josh Wool

In conjunction with Made in the USA, we’re celebrating contemporary American ingenuity by highlighting some of our favorite American artisans featured in the museum shop. Today we interview brothers Chris and Kirk Bray, who comprise the Billykirk team. 

What is different about your products from other leather and canvas goods that makes them stand up to wear and tear?

Where leather is concerned, we source only top quality genuine cowhides from respected tanneries. Once that base is covered there is just so much one can do to improve the integrity of a leather item. You can slather on all sorts of waxes and conditioners but at the end of the day ones oils, sweat, environment and how the item is treated ultimately dictates its longevity.

Canvas is another interesting material in that it comes in all sorts of weights and is woven in a number of different ways. We try and source heavy weight cotton canvas that is similar to the canvas used in the boating industry. It’s rugged and built to last. Similarly, we use mil-spec cotton webbing, which means it meets military weight and quality standards. These choices are more costly but guarantee the product to last many years.

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Photo: Rhiannon Newman

Kirk and I both design for the company. Kirk is more the architect and pattern producer, making sure the angles and things flow correctly, and then I come in to shake things up and kick the tires.

Regarding trends and classic styles: Our design philosophy has always been to design items that are not the focus of attention but rather blend into the user’s clothing choice. We feel this conscious decision to be subdued ends up preserving the life of the item. In other words, our items go with just about everything and are not designed based on a fad, so they tend to stay in rotation for many, many years. Once that happens, the item takes on a whole new persona. It not only becomes relied upon but also revered. That’s the connection we are ultimately after. It’s not unlike an old pair of Redwing boots or Levi’s jeans.

How do you source your materials? Do you purchase the leather finished or are you involved in the entire process of creating the material?

We only buy from reputable tanneries in the USA and England. These are finished goods. Luckily, over the years we have built a good relationship with a number of these tanneries so they are now willing to produce custom colors and weights for us.

Do you have a favorite American artist? If yes, who, and why?

Too many to list….
Wharton Esherick—His design sense was stellar. Perfect harmony with materials. His Ash Chair is a favorite of mine.
William Eggleston—his photography is real, crisp and superbly framed; and he is from Memphis, TN where we are from.
Alan Magee—he is a fantastic realist painter. His painting Countermeasure is wonderfully soothing.