Staff Show: Esther Epstein

In this series, Manager of Visitor and Family Engagement Emily Bray highlights participants in the 2017 James McLaughlin Memorial Staff Show, on view through September 17, 2017.

Esther Epstein, Expanse In Calmness

Esther Epstein

What do you do at The Phillips Collection? Are there any unique or interesting parts about your job that most people might not know about?
My role is a Museum Assistant in The Phillips Collection. The most unique aspects of my work are talking with people from all over the world and learning about their experiences and how they see the Phillips artwork and architecture. I enjoy viewing the work in the Phillips as it inspires me to paint almost daily. The staff are kind and artistic so it’s a comforting environment to work in.

Who is your favorite artist in the collection?
My favorite artists are Agnes Martin, Joan Mitchell, and Jake Berthot. Agnes inspired me in the realm of letting go of my work. When in an interview, Agnes was asked,” What makes you most happy?” She responded,”When my art goes out the door.” Most powerful is when Agnes stated that she “paints with her back to the world,” as do I.

Joan Mitchell’s work is so free-flowing and vividly colorful which opens one to contemporary expressive nature. Jake Berthot intrigues with his small painterly canvases that say so much with so little.

What is your favorite space within The Phillips Collection?
My favorite space is a mix of many in the Phillips. I find the layout that the Preparators skillfully formulate to be spacious and intimate in many areas; treasures often pop up when you turn corners. I like the surprises when one gallery changes paintings to allow for surprise and intrigue. Never a dull moment with new and returning works. To pick only one would be difficult as I see paintings, drawings, and sculptures of interest throughout.

What would you like people to know about your artwork on view in the 2017 Staff Show (or your work in general)?
My own artwork is created with complete silence throughout. A work of art is not simply about the artist’s intended meaning but a portal through which the viewer can encounter a “dreamscape” of uniquely personal emotions and interpretations. I rely on a minimal palette of color; soft abstractions, intricate and/or tangled lines to convey and elicit intensity of feeling. I exhibit in unique venues with the desire to lessen stress and provide tranquility to those who view my work.

My personal background involved my passion as a practicing art therapist for a total of 26 years at The National Institutes of Health, Private Practice, and Suburban Hospital with people of various diversity and diagnoses. The experiences were a highlight in my life with valuable impact. I have a Masters in Art/Art Therapy from The George Washington University.

I want to thank Instagrammer “Katelawlaw” for her most kind and humbling interest in my artwork and inspiration.

Happy 100 Years to These 8 Artworks

Charles Burchfield, Road and Sky, 1917. Watercolor, ink, and gouache on paper, 17 1/2 x 21 1/2 in. The Phillips Collection, Washington, DC, Acquired 1930

Each of these pieces from our permanent collection was created in 1917 and celebrates 100 years in 2017. What are some of your favorite one hundred year old works?

Charles Demuth, Monument, Bermuda, 1917. Watercolor on paper, 14 x 10 in. The Phillips Collection, Washington, DC. Acquired 1925

Louis Michel Eilshemius, The Dream, 1917. Oil on cardboard on wood panel, 30 5/8 x 40 3/4 in. The Phillips Collection, Washington, DC, Acquired 1936

Gaston Lachaise, Sea Lion, 1917. Bronze, 12 1/2 x 15 3/8 x 10 1/4 in. The Phillips Collection, Washington, DC, Acquired 1922

Maurice Prendergast, Revere Beach No. 2, between 1917 and 1918. Watercolor on paper, 13 1/2 x 19 1/2 in. The Phillips Collection, Washington, DC, Gift of Mrs. Charles Prendergast in memory of Duncan and Marjorie Phillips, 1991

Paul Strand, New York, 1917. Photogravure, 6 3/8 x 8 3/8 in. The Phillips Collection, Washington, DC, Gift of the Phillips Contemporaries, 1999

Augustus Vincent Tack, As the Ships Go Sailing By, 1917. Oil on canvas on plywood panel, 31 1/2 x 24 in. The Phillips Collection, Washington, DC, Acquired by 1959

Staff Show 2017: Jeffrey Whitelow

In this series, Manager of Visitor and Family Engagement Emily Bray highlights participants in the 2017 James McLaughlin Memorial Staff Show, on view through September 17, 2017.

Jeffery Whitelow, “C is for Coca-Cola & Christenberry”

Jeffrey Whitelow

What do you do at The Phillips Collection? Are there any unique or interesting parts about your job that most people might not know about?

I’m a Museum Assistant and also part of the AV department. It’s interesting to see exhibits go from initial planning phase to actual show. I also enjoy meeting living artist who are in the collection. The only drawback is that when I go to other museums, I start counting how many security rules people break.

Who is your favorite artist in the collection?

Leo Villareal.

What is your favorite space within The Phillips Collection?

The Rothko Room. What many people see as just solid color in the paintings is actually, when examined, a blend of color with depth and texture. Spending hours in the galleries changes your way of seeing.

What would you like people to know about your artwork on view in the 2017 Staff Show (or your work in general)?

Last year sculptor, photographer, and painter William Christenberry died of complications from Alzheimer’s, which destroys the brain’s ability to remember. Yet his death caused me to recall the many times over the years seeing him personally visit the Phillips as an artist and a trustee on the board. He was always friendly, cordial: a real southern gentleman. I liked his sculpture but also really enjoyed his photography of the south. D.C. is a southern town in certain ways. Every summer I visit Richmond, Virginia, the former capital of the southern confederacy. Last year I took a picture of a barbershop store front with a Coca-Cola sign. I took another one this year. Christenberry also liked to take multiple images of the same thing over time. Richmond has a certain southern charm and pace of life that D.C. is starting to lose because of gentrification. The Coca-Cola sign and the corner here reminded me of Christenberry’s photos.

The 2017 James McLaughlin Memorial Staff Show is on view August 3 through September 17, 2017.