Mailing #MyAmericanArt Postcards

One of the art workshops at the festival will be #MyAmericanArt postcards. •#MyAmericanArt Postcards. Families can create and share their own American masterpieces and send them to someone special.

One of the art workshops at the festival will be #MyAmericanArt postcards. Families can create and share their own American masterpieces and send them to someone special. Photo: Racquel Keller

I have been spending the last few months as an intern in the Education Department. It is an exciting time to be a part of the team since they are in the midst of gearing up for this year’s Jazz ‘n Families Fun Days.  At the event, participants can create American art-inspired postcards, and we really wanted something cool to get them excited about mailing them. As a result, I was asked to design a custom mailbox! This was right up my alley because as an artist I build assemblages out of found pieces.

The things I wanted to take into consideration were that it should be kid-friendly, fun, largely made of recycled materials, and be something that The Phillips Collection would be proud to have on-site…for however brief a period!

Be on the lookout for the mailbox at Jazz n’ Families Fun Days on June 7 & 8. Come on down to the art workshop, make a postcard of your own, and drop it in the box.

Below is a look at my process and the finished mailbox.

Racquel Keller, Education Intern and Museum Shop Supervisor

It all started with a sketch! Photo: Racquel Keller

It all started with a sketch! Photo: Racquel Keller

Found a great big box in Education and went on a little trip to Community Forklift hunting for bits and bobs!  I found a few odds and ends there, including this great piece of recycled Plexiglass.  Plexiglass was key because I really want the kids to see where their mail was going! Photo: Racquel Keller

Found a great big box in the Education offices and went on a little trip to Community Forklift hunting for bits and bobs. I found a few odds and ends there, including this great piece of recycled Plexiglass. Plexiglass was key because I really want the kids to see where their mail was going! Photo: Racquel Keller

Then I wanted to make it relatable to our mailboxes.  That took a bit more cardboard (an old box kindly donated by the Museum Shop!) and a bit of creativity! Photo: Racquel Keller

Then I wanted to make it relatable to our mailboxes. That took a bit more cardboard (an old box kindly donated by the Museum Shop) and a bit of creativity. Photo: Racquel Keller

And finally, the beautification – the box is covered with pictures from our collection!  Photo: Racquel Keller

And finally, the beautification – the box is covered with pictures from our collection. Photo: Racquel Keller

What Happened to that Negative?

The image that Intersections artist Vesna Pavlović created with the deteriorated 8 x 10 negative from the museum archives is mysterious and fascinating to look at. But what happened to it?

Vesna Pavlović, Untitled (Swiss Peasant art exhibition, 1957.4) (2014), 40 x 50 in. Framed archival pigment print. Ed. of 5. Courtesy of the artist and G Fine Art

The installation shots of the Phillips’s 1957 show, Swiss Peasant Art, were taken using large format cellulose triacetate sheet film or safety film (so called because it was less flammable than the previously available nitrate film.) The film captured clear, detailed images but over time the acetate film base shrunk, pulling away from the emulsion and causing bubbles and an effect called channeling. Thankfully, the archives has a full set of 8 x 10 contact prints (created by sandwiching photographic paper and the negative, generating a print the same size as the negative and preserving detail).

Swiss Peasant Art exhibition at the Phillips, June 9-July 2, 1927. This is the print from the deteriorated negative appropriated by Vesna Pavlovic. Photo: The Phillips Collection Archives, Washington DC.

Swiss Peasant Art exhibition at the Phillips, June 9-July 2, 1957. This is the print from the deteriorated negative adapted by Vesna Pavlović. Photo: The Phillips Collection Archives, Washington DC.

Swiss Peasant Art might seem like an unusual show for the Phillips, and it was. Organized by the Smithsonian Institution Traveling Exhibition Services—or SITES—the show was called “one of the most heartwarming exhibitions to be seen in Washington in a long time” in a review from The Washington Post. The objects were selected from Appenzell and Toggenburg and focused on the ceremony of Alpenaufzug, the annual upward trek of herds to the springtime mountain pastures. The show included paintings, wooden milk pails, cut brass, a clock, and other decorative items.

Swiss Peasant Art exhibition at the Phillips, June 9-July 2, 1927. Photo: The Phillips Collection Archives, Washington DC.

Swiss Peasant Art exhibition at the Phillips, June 9-July 2, 1957. Photo: The Phillips Collection Archives, Washington DC.

Mining the Archives

Pavlovic_Phillips Flashback

(Left) Vesna Pavlović, Untitled (Swiss Peasant art exhibition, 1957.4), (2014). Courtesy of the artist and G Fine Art (Right) Vesna Pavlović, Installation view of Untitled (Annex, Giacometti exhibition, 1963), 2014. Photo: Mica Scalin

Intersections artist Vesna Pavlović, whose installation Illuminated Archive opened at the Phillips last week, mined the museum’s archival materials to create new works exploring the idea of transparency. The works above feature photographic negatives from exhibitions throughout Phillips history, altered in a variety of ways and to varying degrees.

What I love most about the work at right, a 35-foot curtain made up of digitally manipulated negatives from a 1963 Alberto Giacometti exhibition, is how necessary uncontrollable elements—weather, sunlight, time—are to the viewer experience. Pass by this work at high noon on a sunny day, and the curtain is nearly clear. Chance upon it at dawn or dusk, however, and the details of light and shadow are revealed. It feels like a secret, intimate moment shared between viewer and artwork; a playful approach to the idea of transparency and our perception of it.

Amy Wike, Marketing Manager