The first work of Xavier Veilhan’s first major museum show in the United States has really arrived. On a beautiful fall day, a small army of art handlers, observed by a small army of museum employees and neighbors, unpacked a giant, faceted, glossy, Ferrari red, resin bear from it’s crate, escorted it down the sidewalk, and placed it on our premier sculpture pad at the corner of 21st and Q Streets. More intriguing works from Veilhan are on the way.
Tag Archives: Intersections
Artists Know How to Keep Things in Perspective
“[Paolo Uccello] would remain the long night in his study to work out the vanishing points of his perspective, and when summoned to his bed by his wife replied in the celebrated words: ‘How fair a thing is this perspective.’ Being endowed be nature with a sophisticated and subtle disposition, he took pleasure in nothing save in investigating difficult and impossible questions of perspective . . . When engaged in these matters, Paolo would remain alone in his house almost like a hermit, with hardly any intercourse, for weeks and months, not allowing himself to be seen . . . By using up his time on these fancies he remained more poor than famous during his lifetime.”
Giorgio Vasari, Lives of the Artists
Alyson Shotz’s work Ecliptic, on view through May 27 as part of the Intersections contemporary art series, makes me think of a 560-year-old Italian Renaissance perspectival drawing. Except Uccello never worked in yarn. The modern is always rooted in the past. Be sure to see this installation–you may leave saying to yourself, “How fair a thing is this perspective.” May she become more famous than poor.
Ianthe Gergel, Museum Assistant
Found Poetry: Lunar Installation
Britton Minor found inspiration in cosmic and “giant, seemingly weightless” installations at the Phillips and responded to our call for found poems, working with words from the Intersections contemporary art series page on our website:
Lunar Installation
Silhouetted planets riff
on the moonlit moodThe perpetual rotation forces spatial
perception above sunrise,
nightfall paying homage to
a weightless architectureMaintaining balance activates fragmented
organic objects and extends ecliptic practicesThe ethereal glow of three-dimensional
spaces filters the monumental skies,
evoking the first outdoor sculpture
inspired by science~ Britton Minor
National Poetry Month continues through Monday, and we’re still looking to post your found poetry creations. Read more about found poetry, and how to contribute your own, here.