Archives 101: An Introduction to Archival Processing

In this series, Phillips Manager, Archives and Library Resources Juli Folk and Digital Assets Librarian Rachel Jacobson explain the ins and outs of how archives work.

The previous “Archives 101” post introduced the concept of archival collections. Archives and special collections establish policies to guide what materials are accepted and preserved by an institution. Because every collection is unique and can include a variety of different materials, formats, and related information, they require varying levels of description, so the standards for archival organization are applied to best suit the needs of individual repositories. I will discuss the first few steps that occur after an archive is accessioned into a repository as a new collection, also understood as archival processing. In addition to including activities that promote preservation, processing also provides improved physical and intellectual access to the records. Generally speaking, during processing, materials are surveyed, arranged, described, and preserved for long-term storage with archival-quality housing.

Surveying the collection establishes an understanding of the contents of the collection and the physical state of the materials. During this step, it’s important to gather all contextual information (e.g., donor agreements, accession details, preliminary inventories) and prepare a standardized way to capture the details. The archivist will:

  • • Count the boxes, volumes, and items
  • • Review existing container labels
  • • Confirm the materials appear as expected
  • • Note any damage or special handling needs
  • • Identify existing groups of related materials

These steps may also help identify missing components and will aid in gathering the information needed to write detailed historical/biographical notes.

After the survey is complete, it is time to create a processing plan that intellectually arranges the collection into Series, and, if necessary, Subseries, usually determined by subject, function, or form. Series filing systems may be geographic, chronological, or alphabetical and a collection can include only a single series or many series. Intellectual arrangement decisions are based on the state of the collection and the needs of potential users, who can include museumgoers, researchers, art historians, students, and teachers. Intellectual arrangement also relies on two fundamental archival principles stated below.

Provenance refers to the individual or group that created or collected the items and dictates that records of different origins be kept separate to preserve their context. Establishing provenance is key to creating accurate and helpful accession records.

Original order refers to how the collection was organized when it was brought to the repository for accessioning. It often indicates how the record creator(s) considered, maintained, and used the materials. If the original order is useful and meaningful, then retaining it preserves existing relationships and evidentiary significance that will be helpful to collection users. If the original order is non-existent or not meaningful, then an archivist will likely suggest a new arrangement to better serve future researchers.

Before processing, the Duncan Phillips Directorial Correspondence was organized chronologically, in folders labeled only with the first letter for the correspondents within. This box contains all correspondence from 1954-1955 from individuals and businesses whose names begin with letters between A-L. Courtesy of The Phillips Collection Library & Archives.

This is an example where the original order was known but found to be unhelpful for users of the collection. As the label on the box describes, the original order of the Directorial Correspondence of Duncan Phillips was chronological and alphabetical by the correspondent’s name. However, this meant that a folder labeled ‘A’ would contain dozens of correspondents with the first letter ‘A’, making it difficult to pinpoint individuals. Therefore, it was determined that additional processing would help provide valuable information about individual correspondents. The arrangement is still chronological by correspondent, but individual correspondents have been separated into their own folder.

After processing, the Duncan Phillips Directorial Correspondence is organized alphabetically by correspondent, with multiple years arranged together, for ease of research. Courtesy of The Phillips Collection Library & Archives.

Surveying and arranging the materials provides all the information needed to describe the collection in a Finding Aid. Finding aids contextualize the materials and breadth of a collection, describing why it is important and unique. They contain detailed notes used by researchers to determine whether the contents of a collection may be useful to their research. We’ll discuss Finding Aids in more detail next!

Why DEAI?

Yuma I. Tomes, Horning Chair for Diversity, Equity, Access, and Inclusion, on the importance of DEAI.

Diversity, Equity, Access, and Inclusion (DEAI) should never be an afterthought, but the prelude in advancing all initiatives at The Phillips Collection.

The Phillips Collection. Photo: Carl Nard

The horrific and tragic events of 2020 exposed old, unhealed racial wounds and highlighted glaring inequities across various cultures and genders. It has been said many times, if we fail to understand our history, we are doomed to repeat it. DEAI work focuses all of us on doing the “work” so that we learn, grow, and forge new paths for equal representation. One of the first steps in doing the “work” is to analyze class, power, and institutional/individual relationships to and within communities. As power is analyzed, it becomes clearer how we play a role in maintaining the current disparate racial outcomes that every system and institution produces.

Museums are microcosms of the larger society, in that they tell the stories of who we are, where we have been, how we have evolved, and where were going. They are a portal into our cultural heritage and yet a teaching tool in acknowledging differences and similarities, at the same time. Reflecting on the rich diversity of our heritage is a must for museums.

We, at The Phillips Collection, aspire to permeate every area with principles of diversity, equity, accessibility, and inclusion. DEAI initiatives to address systemic issues such as the lack of museum directors of color or from underrepresented or marginalized backgrounds is everybody’s “work.” The Phillips Collection has begun the work to advance these and other initiatives through recruiting talented and diverse interns and fellows, staff, and directors. Further, in 2021 the DEAI department along with dedicated staff initiated an Anti-Racism Series for The Phillips Collection. These are positive advances that must be connected to strategic planning and infrastructure. Over the next several months we will begin to implement Diversity Intergroup Dialogue Sessions (DIDS) to build on the momentum established last year. This series will commence in September and will be a combination of professional presentations and staff-led group discussions. DEAI is only productive when fully embraced by all its members.

Archives 101: What is an Archival Collection?

In this series, Phillips Manager, Archives and Library Resources Juli Folk and Digital Assets Librarian Rachel Jacobson explain the ins and outs of how archives work.

It’s usually fair to say that the average person is more familiar with libraries than archives. If that is the case for you, here are some helpful distinctions aimed at enhancing your next visit to The Phillips Collection Library & Archives.

Libraries hold published books and materials, which are secondary sources that were consciously created and intended to be distributed for review. Books are collected and circulated through libraries as individual items and are cataloged and organized according to standards that have been well-established for hundreds of years.

Archives are different in that they are made up of primary-source materials that were created over the course of normal daily business and life. Archival materials can include receipts, correspondence, photographs, ledgers, digital media, and related ephemera. In order to maintain their context, archival items are classified in aggregate as “collections,” instead of as standalone items.

The Phillips Collection Library & Archives holds numerous collections that include materials documenting the inner workings of the museum. Some items that may have seemed run of the mill at the time have since become treasures. For example, this undated handwritten note was left for Duncan Phillips at the front desk of the museum by Georgia O’Keeffe during one of her visits.

There are a variety of different kinds of archival collections. For example, institutional departmental collections manage and preserve the records of the business or institution. These collections exist to serve the needs of researchers and staff members, to document historical discussion and decisions over time, and to support strategic institutional goals. Two examples of these types of collections in our archive are the Records of the Music Department and the Exhibition History Records.

The Records of the Music Department consist of materials dated from 1925 and include correspondence, press clippings and reviews, photographs, concert programs, serial publications, pamphlets, press releases, and other ephemera pertaining to concerts and performers.

Archival boxes housing the Music Department records are organized chronologically, ready for research. Courtesy of The Phillips Collection Library & Archives

Exhibition History records are dated from the early 1900s and contain material that was created and collected by the Curatorial Department to support activities related to the research, planning, preparation, logistics, and catalogue for individual shows. The collections include articles, brochures, catalogues, checklists, correspondence, and reviews.

Photograph collections are compiled or created by individuals, families, or organizations and are preserved for their enduring evidentiary value and context. Our recently digitized Historic Photographs Collection is arranged chronologically with items that date from the late 1800s. The collection includes images of the museum building interior and exterior, the immediate and extended families of Duncan and Marjorie Phillips, art exhibitions, notable visitors, special events, and construction projects. The materials are in a variety of formats and sizes, with both color and black-and-white prints. This collection will be available digitally soon!

Duncan Phillips (left) and his younger brother Jim Phillips in the late 1800s. Courtesy of The Phillips Collection Library & Archives

Annex installation from the 1960s exhibition Sculpture Seen Anew: The Bronze Age to Brancusi, including works by Constantin Brancusi and Henry Moore. Courtesy of The Phillips Collection Library & Archives

Stay tuned for the next post in this series, which will focus on Archival Processing to describe the steps we take to make our collections more accessible and useful to researchers.