Director’s Desk: A Closer Look at Made in the USA

Did you know that the Founder Duncan Phillips and his wife Marjorie had a painting studio in the upstairs of their house? Director Dorothy Kosinski explains how Phillips’s lifestyle and exceptional  support of contemporaries like Arthur Dove, Ernest Lawson, and  Rockwell Kent “shows the intensity of that relationship with the artist, the living artist, the practitioner. That’s obviously what made Duncan Phillips the happiest, the most engaged.”

Director’s Desk: Pérez Art Museum Miami

Perez Museum Miami_DK

(Left) Exterior of the Pérez Art Museum Miami (Right) Bicycle installation by artist Ai Wei Wei. Photos: Dorothy Kosinski

Earlier this month we were in Miami for the Art Basel Miami Beach fair and enjoyed our visit to the new  Pérez Art Museum Miami. These photos reveal how the  Herzog & de Meuron building addresses the waterfront and how it incorporates native plantings and gracious outdoor spaces so appropriate for the Miami climate. The bicycle installation (pictured at right above) is, of course, by Ai Wei Wei, in the same exhibition we enjoyed at the Hirshhorn earlier this  year. My Pérez museum colleagues were brave, indeed, to open even with lots of building details still being completed and with the ongoing construction of the nearby science center causing major inconveniences. I look forward to visiting again when the museum and adjacent buildings are complete. It is a huge addition to the city’s  cultural landscape.

Director’s Desk: Participatory Art and New Acquisitions

Curator at Large Klaus Ottmann engages with Roter Gesang (Red Song) by Franz Erhard Walther. Photo: Dorothy Kosinski

Curator at Large Klaus Ottmann demonstrates the participatory qualities of a Franz Erhard Walther sculpture, Roter Gesang (Red Song), at an Arts Committee meeting this week. Walther (born in Fulda, Germany in 1939) produces minimalist sculptures, often in brilliant primary colors, out of ordinary heavy canvas, that seem like soft versions of minimalist compositions. This will look brilliant near our Rothko Room.  It also harmonizes with another new acquisition, Wolfgang Laib’s wax room, in which the visitor enters to appreciate the beautiful aroma, the rich surface, and the embracing small space. Our acquisitions meeting was a heady affair with the approval of many new works from photographs by Eugène Atget, to a painting by Al Held, a painting by Walter Dahn,  and works by Helen Torr, to mention only a few.