Ciao!

The International Art and Language Soiree hosted at the Phillips on Thursday, August 16 in collaboration with the International Club of DC provided an incredible atmosphere of cultural infusion. The Tryst at the Phillips café was the perfect meeting place for all who attended, including experienced foreign language speakers and beginners looking to try something new. The native speakers and conversation facilitators led ongoing discussions about their cultures and the variety of works featured at the Phillips produced by artists of their respective cultural backgrounds. For example, the Russian patrons discussed Chagall and Rothko, the Spanish patrons discussed Picasso and Goya, and the French patrons discussed Renoir and Cézanne.

The mood was light and fun, comfortable and relaxed, making it easy to approach any language table and give it a try. Much to my surprise, that is exactly what many of the attendees did. I watched in awe as individuals floated between the Russian table and the German table, the Spanish table and the Italian table. There was minimal emphasis on proficiency in a single language and more emphasis on a friendly interaction with something new. I felt my confidence building as I observed the excitement of all the attendees in this culturally charged environment. Maybe this week I’ll attempt to recall some Spanish from my high school days, or just sit in on the French discussion to assess how much of it I can understand with my minimal background in the romance languages. Either way, the art and language soiree at The Phillips Collection provides an irresistibly welcoming vibe that encourages everyone to join the fun.

To get a feel for how these language and art soirees unfold, check out this video, courtesy of the International Club of DC, which was recorded the night I attended.

Laura McNeil, Graduate Intern for Programs and Lectures

“Seeing Red,” Mark Rothko Inspired Works Displayed at “Red”

Briefly augmenting the Tony Award-winning play, Red, by John Logan, at Washington, D.C.’s Arena Stage, were a dozen works inspired by the grand, colorful paintings of Mark Rothko, who is the focus of the play.

Two Museum Assistants at The Phillips Collection were among the artists in the “Seeing Red” display, organized by Joseph Orzal and Josef Palermo of the Washington art collective, Vestibule. The works were on view February 3-5, 2011.

Experiment Station talked with Museum Assistants Janelle Ortiz and Rodrigo Carazas Portal about their works in the display.

Rodrigo Carazas (left) and Janelle Ortiz (right) stand by their works installed at Arena Stage in February 2011. Photos: Rodrigo Carazas Portal

You’re familiar with paintings in the Rothko Room at the Phillips, and I heard you went to the Phillips library to look through the books on Rothko. Is the Phillips your first exposure to Rothko?

Janelle: The Phillips Collection is not my first exposure to Rothko. I actually cannot even pinpoint in my memory when I first learned about Rothko or first saw a painting of his. However, the Rothko Room was my first EXPERIENCE with a Rothko. Previously, I passively viewed them at art museums; this was before I viewed the Rothko Room or did any research on the artist and his work. The way the Rothko Room presented his paintings requires real consideration from the viewer, a consideration I had never given before to a work by Rothko.

Rodrigo: Mark Rothko is a continuous inspiration for me. Working at The Phillips Collection gave me a much closer approach to his work, and the library [provided] a deeper insight on his life and ideas.

Is Rothko the inspiration for the work? Continue reading ““Seeing Red,” Mark Rothko Inspired Works Displayed at “Red”” »

Dramatic Play

At February’s Phillips after 5 the museum collaborated with Arena Stage to celebrate their production of John Logan’s play Red and our Rothko Room. Teaching artists from Arena led theater workshops that brought artworks from the museum to life through tableaux vivants or living pictures. Have a look at participants at play!

Participants warm up by making individual tableaux. The inspiration: freeze like you just won the lottery. Photo: Charles Mahorney

More warm-up as participants collaborated to make a shape with a focal point. Photo: Charles Mahorney

In the next series, participants took Daumier's The Uprising as a source of inspiration for tableaux. Honoré Daumier, The Uprising (L'Emeute), 1848 or later. Oil on canvas, 34 1/2 x 44 1/2 in. The Phillips Collection, Washington, D.C. Acquired 1925.

Participants create a tableau inspired by The Uprising. Photo: Charles Mahorney

Another tableau inspired by The Uprising. Photo: Charles Mahorney