Milton Avery, Shells and Fishermen, 1941, Oil on canvas 24 x 36 1/8 in.; 60.96 x 91.7575 cm. Acquired 1943. The Phillips Collection, Washington DC
Milton Avery gathered lots of ideas for his paintings during summer travels chiefly in New England, but also in California, Mexico, and Europe, sketching them and then bringing them back for work in the studio. So when you’re packing for that Memorial Day getaway, be sure to throw in your sketchbook and a few pencils.
This work is currently on view in the Made in the USA exhibition.
Clockwise from top left: Milton Avery, Black Sea, 1959. Oil on canvas, 50 x 67 3/4 in. The Phillips Collection, Washington, D.C. Acquired 1965. Robert Motherwell, In White and Yellow Ochre, 1961. Oil, charcoal, ink, tempera and paper collage on paper, 40 7/8 x 27 in. The Phillips Collection, Washington, D.C. Acquired 1965. Alexander Calder, Only, Only Bird, 1951. Tin cans and wire, 11 x 17 x 39 in. The Phillips Collection, Washington, D.C. Acquired 1966. Karl Knaths, The Blue Heron at the Tide Wash, 1956. Oil on canvas; 24 x 30 in. The Phillips Collection, Washington, D.C. Acquired 1965.
I had the pleasure of speaking last night to Alice Phillips Swistel, great-niece of Duncan Phillips who was born today in 1886. It’s not surprising that the conversation came around to her memories of him. Though I’ve worked here for over five years and handled many of Phillips’s belongings–his journals, book collection, letters–I always welcome more insight. Above are images of five works Phillips purchased in the last months of his life. I think the selection is telling, featuring his devoted friendship and support of artists (Knaths), and his appreciation for complexity (Motherwell). These works display many of the hallmarks of Phillips as a collector: his patronage and loyalty, the joy of discovering, a passion for seeking the new.