Performing the Interior: The Artist as Subject in the Photography of Francesca Woodman

On day three of our celebration of FotoWeekDC, we look at the enigmatically beautiful photography of artist Francesca Woodman on display in Shaping a Modern Identity: Portraits from the Joseph and Charlotte Lichtenberg Collection.

Francesca Woodman first began her experiments with photography at the age of 15. Two years later, as a student at Rhode Island School of Design, she continued her exploration of black and white photography and film until she took her own life at the young age of 22. Despite her short lifespan, Woodman was prolific, creating over 10,000 negatives in just 7 years.

The Woman in the Water: Intimacy and Aesthetics in Harry Callahan’s “Eleanor, Chicago”

For our second highlighted photograph from Shaping a Modern Identity: Portraits from the Joseph and Charlotte Lichtenberg Collection as part of FotoWeekDC, we travel to the Midwest and the city of Chicago for an intimate portrait by Harry Callahan. Callahan often turned to his wife, Eleanor, as the subject of his photography.

The Man with the Paint Plan: Val Lewton, Exhibition Designer

If you’ve wandered through our galleries recently and seen the gorgeous Georges Braque and the Cubist Still Life, 1928-1945 exhibition, you likely marveled at the masterpieces on display, expertly hung for your viewing pleasure. For each special exhibition, works come from all over the globe and are united in beautiful harmony on our walls and in our galleries. In my completely biased opinion, these works, no matter where their permanent home may be, always look their best in the Phillips gallery spaces. Why here, you ask? Because in addition to our intimate galleries and our extraordinarily talented staff of curators, preparators, and registrars who hang each show, the Phillips has a secret weapon: exhibition designer Val Lewton.