Paul Signac, Place des Lices, Saint-Tropez, Opus 242, 1893. Oil on canvas, 25 3/4 x 32 1/4 in. Carnegie Museum of Art, Pittsburgh. Acquired through the generosity of the Sarah Mellon Scaife Family. Photograph © 2014 Carnegie Museum of Art, Pittsburgh
It’s the final day to see Neo-Impressionism and the Dream of Realities: Painting, Poetry, Music. Stop by today for a last look!
(left) Georges Seurat, Woman Singing in a Café Chantant, 1887. Conté crayon, black and blue chalk, white and pink gouache, pencil, and brown ink on paper, 11 5/8 x 8 7/8 in. Van Gogh Museum, Amsterdam (Vincent van Gogh Foundation) (right) Georges Seurat, At the Gaîté Rochechouart (Café-concert), c. 1887–88. Conté crayon with gouache on laid paper, 12 x 9 5/16 in. Museum of Art, Rhode Island School of Design, Providence. Gift of Mrs. Murray S. Danforth
Two conté crayon works on paper of women singing by Seurat on view in the exhibition; two days left to see Neo-Impressionism and the Dream of Realities.
Henri-Edmond Cross, Beach at Cabasson (Baigne-Cul), 1891-92. Oil on canvas, 25 3/4 x 36 3/8 in. The Art Institute of Chicago, L. L. and A. S. Coburn, and Bette and Neison Harris funds; Charles H. and Mary F. S. Worcester Collection; through prior acquisition of the Kate L. Brewster Collection. 1983.513
Three beach-goers in Henri-Edmond Cross’s Beach at Cabasson (Baigne-Cul); three days left to visit the Neo-Impressionism exhibition.