Women’s History at the Phillips: Elmira Bier

Elmira Bier, in white blouse, sits with C. Law Watkins to her left and Marjorie and Duncan Phillips to her right.

Elmira Bier, in white blouse, sits with C. Law Watkins to her left and Marjorie and Duncan Phillips to her right. Standing are Ira Moore (?) and Charles Val Clear. Photo circa 1931.

Elmira Bier graduated from Goucher College and began working as Duncan Phillips’s secretary in 1923. She went on to direct the music concert series beginning in 1941, encouraging young musicians to expand their repertoire to include works that were off the beaten track. Bier altered the landscape of music in Washington; an article referred to her as “a dominating force in the cultural life of this city.” Bier explained that Phillips had conceived of his museum as “a museum of modern art and its sources,” and she tried to follow this example in her programming, encouraging musicians to include contemporary works in their performances. Bier was not a musician or an artist, but she taught herself about both fields.

When asked to describe her role, music critic Paul Hume wrote that “she ran the place.” Former registrar John Gernand said that her versatility was amazing. On the occasion of her retirement party in 1972, he told her, “You may greet Henry Moore or Kenneth Clark and a few moments later take care of calling a plumber, talking to a musician about his program you have not received, or dictating a letter to a publisher about an unsatisfactory color proof, and doing all this with various and frequent interruptions by telephone, intercom, or one of us in person with a question.”

Kevin Grogan, former curatorial assistant, remembered Miss Bier as “crusty, irascible, and hard-headed. Needless to say, she was loved by all.” Elmira was famous for making a fabulous liquor-filled fruitcake which she would insist on serving before noon in a small, enclosed room “that could give you a contact high like you wouldn’t believe.”

Bier’s devotion to the Phillips was matched by her love of organic gardening. She delighted in the first tomato from her garden, as she did in serving lettuce grown in her cold frame for Christmas dinner. She commissioned architect Henry Klumb to build a strikingly contemporary home on Glebe Road in Arlington, which she shared with her companion, Virginia McLaughlin. Elmira tended the vegetable garden while Virginia took care of the trees and bushes.

A letter from Elmira Bier to Alfred Stieglitz, April 3, 1946. The Phillips Collection records, 1920-1960, Archives of American Art, Washington D.C.

A letter from Elmira Bier to Alfred Stieglitz, April 3, 1946. The Phillips Collection records, 1920-1960, Archives of American Art, Washington D.C.

Summer Heat and Gardens

Karl Knaths, Green Squash, 1948. Oil on canvas, 24 1/8 x 27 1/4 in. The Phillips Collection, Washington, D.C. Acquired 1948.

Summer solstice isn’t until June 21, but it has certainly felt like summer already. Late spring of 1943 was also hot. Letters from Elmira Bier, Duncan Phillips’s assistant, to Alfred Stieglitz sound much like conversation you would hear around our Dupont Circle neighborhood today. On June 29, 1943, she writes, “I trust [my letter] finds you well and able to stand this heat. I am tiring a little of one topic of conversation but no one seems able to avoid it.” In a letter a few weeks before, she lovingly described her gardening:

At the moment we are having a nice summer shower which will be fine for the brockely[sic] I set out last night. My dream for a small house and a large garden is still only the stuff dreams are made of but I have the use of a garden where I have put cabbages among my roses and tomatoes with my violets so weather has become very important to me. I’ll report on the crops later.

Ms. Bier started working for The Phillips Collection in 1923 and retired in 1972.