Man Ray, Hiroshi Sugimoto, and Mathematical Models

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Installation view of Man Ray-Human Equations: A Journey from Mathematics to Shakespeare

Phillips staff were treated to a tour of Man Ray–Human Equations: A Journey from Mathematics to Shakespeare and Hiroshi Sugimoto: Conceptual Forms and Mathematical Models before they open to the public this Saturday. We snapped some photos along the way; here’s a preview!

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Exhibition Curator Wendy Grossman discusses Man Ray’s “Lampshade.”

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Director of the Center for the Study of Modern Art and Curator at Large Klaus Ottmann gives a preview tour to Phillips staff members of newly installed Hiroshi Sugimoto: Conceptual Forms and Mathematical Models

Picasso’s Blue Period From A Conservator’s Perspective

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Associate Conservator Patricia Favero presenting at Museu Picasso in Barcelona.

Last week, Associate Conservator Patricia Favero headed to Museu Picasso in Barcelona along with colleagues from the Solomon R. Guggenheim Museum, the National Gallery of Art, and the Art Institute of Chicago to present findings at The Blue Period: New Interpretations by Means of Technical Studies, a seminar of restoration and conservation. You may recall news from last June that a portrait of a man was discovered under the Phillips’s painting by Pablo Picasso, The Blue Room; Patti discussed the research and process behind this revelation.

UPDATE: For a limited amount of time, you can watch the full presentation video on the Museu Picasso’s website.

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Associate Conservator Patricia Favero presenting at Museu Picasso in Barcelona.

 

Music to our Ears…

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Latvian composer Pēteris Vasks. Photo: Santa Savisko-Jekabsone

Pleasing notes and lively melodies will soon be reverberating through the decorated halls of our museum. As part of the Leading European Composers series, the great Latvian composer Pēteris Vasks will lead the RIX Piano Quartet and flutist Dita Krenberga on February 12th at 6:30 pm. Trained as a violinist, the composer grew up during Soviet regime and was able to quickly catapult himself into the greats of European composers after receiving countless Latvian music awards and the Cannes Classical Awards in 2004.

Just as many of Georgia O’Keeffe’s works were, Vasks’s compositions are inspired by the complex relationship between man and nature. His music speaks to the world’s beauty, but also to imminent ecological and moral destruction. In conveying his message, Vasks incorporates animated folk elements from Latvian music with a contemporary angle. This stellar musical performance, in collaboration with the Embassy of Latvia and The George Washington University, will surely be one for the books.

Aysia Woods, Marketing Intern