We asked guests who attended the Fashion a la Renoir Phillips after 5 earlier this month to dress in their vintage best, and we snapped photos of some of the standouts! Thanks to all who came. Catch the next Phillips after 5 on December 7.
Inspired by Markus Lüpertz’s dapper style when he was in town for the opening of his exhibition at The Phillips Collection, some of our staff decided to take a look at other artists known for their unique fashion sense. Today, we focus on Frida Kahlo.
I would be remiss in not mentioning Mexican painter Frida Kahlo in a discussion of artists whose style influenced their practice. The nonconformist female artist, known widely for her vivid self-portraits, explored questions of identity, gender, class, and race in Mexican society. Kahlo often featured herself in colorful Mexican clothing, referencing her traditional indigenous culture and appreciation of her ancestry. The feminist icon’s style often reflected powerful and deeply personal moments in her life, whether it was admiration for her culture, the political climate in Mexico, her ailing body, or love and heartbreak.
One of her works that is especially relevant to this topicis Self-Portrait with Cropped Hair (aka Short Hair, Don’t Care! as I like to refer to it), which depicts Kahlo wearing an oversized men’s suit, instead of one of the traditional Mexican dresses that she is often shown wearing. Kahlo created this work while separated from her partner Diego Rivera.
Frida Kahlo’s celebration of the female form, down to her un-manicured eyebrows, continues to inspire artists today.
Maria Vizcaino, Associate Director of Gala and Special Events
Inspired by Markus Lüpertz’s dapper style when he was in town for the opening of his exhibition at The Phillips Collection, some of our staff decided to take a look at other artists known for their unique fashion sense. Today, we focus on Georgia O’Keeffe.
Georgia O’Keeffe was very deliberate in how she dressed—she resisted conventional attire of the time like corsets, and instead made her own clothing. While her paintings are largely colorful, O’Keeffe most often wore black and white swaths of fabric that some say leaned towards masculinity, which may seem odd since her work is often associated with the female body. However, Wanda Corn, the curator of Georgia O’Keeffe: Living Modern at the Brooklyn museum, believes that O’Keeffe “… created a signature body to go along with her signature art. She covered her body and head with abstract shapes, like she did her canvases.”
O’Keeffe resisted being labeled as a feminist, even though her husband, photographer Alfred Stieglitz, encouraged that interpretation of her paintings. O’Keeffe wasn’t trying to become a fashion icon, but instead simply wanted to forge her own path, both in how she dressed and how she painted. I certainly think she achieved that.
Remy Kauffmann, Stewardship Manager, Corporate Relations and Partnerships